Ann – More than Six Recorders

Pie Jesu (Fauré) (DTrTrTBGtBCtB) MHE 60812 £4.00
This is the famous Pie Jesu from Fauré's Requiem. It sounds great on recorders, although the tuning of some of Fauré's gorgeous chords may need some attention! The great bass and contrabass are essential.

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Four Canzonettas (Thomas Morley) (DTrTTBGtBCtB) MHE 50812a £10.50
The small orchestra version of the above.

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Godric's Castle (SnoDDTrTrTTBBGtBCtB) MHE 60810 £7.50
This five-minute tone poem by Ann Marshall is of no more than moderate difficulty. It suggested itself to her when visiting Goodrich (or, a thousand years ago 'Godric's') Castle, in the Wye Valley. The (Royalist) castle was besieged during the English Civil War and Alice Birch, niece of one of the besieging forces fled to the castle to be with her sweetheart. The story goes that when it was clear that the castle would fall, the two tried to flee across the River Wye on horseback, but were swept to their deaths. The story further goes that their ghosts can sometimes be seen in the castle, looking out across the valley, and that they can even sometimes be seen urging a ghostly horse into the Wye. It's a great tale, and while the piece is not supposed to represent the details of the story, hopefully it conjures up a suitable atmosphere.

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Sonata à 7 (Schmelzer) (TTBBGtBGtBCtBSubCtB(opt)) MHE 21215 £8.00
This piece, by Johann Heinrich Schmelzer (?1623-1688) is well-known in the recorder world, so much so that it is often referred to as ‘the Schmelzer’. Ann Marshall rearranged the sonata for an eight-foot orchestra, included in the Autumn Recorder Orchestra Weekend, which took place in October 2015. The instrumentation became two each of tenors, basses and great basses and a contrabass. She also added a part for subcontrabasses which, although optional, adds a great deal to the music. Total playing time is about seven minutes.

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Suite for Two Choirs (DTrTTBBGtBCtB) MHE 10314 £9.00
Allegro
 
Andante
 
Vivo
 
Most music in two choirs is quite serious, at least moderately difficult, and composed some hundreds of years ago. I hope that my suite will fill a gap, in that it is cheerful, it is quite straightforward to play, and it was written in 2014! I wrote the suite for the Orchestra on the Hill, on the occasion of their fifth birthday. Total playing time is about six minutes.

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Two Settings of Da Pacem Domine (Lassus) (TTBBGtBCtB(opt)SubCtB) MHE 10416 £9.00
Da Pacem Nobis 1582
 
Da Pacem Nobis 1556
 
I made these arrangements for the first season of the Mellow Tones Recorder Orchestra – the eight-foot orchestra set up and conducted by Helen Hooker. For the uninitiated, the smallest instrument included in an eight-foot recorder orchestra is the tenor, and such a group makes a wonderfully mellow sound. I thought that the two settings of Da Pacem Domine by Lassus would give the orchestra an opportunity to play something of great beauty. The total playing time of these settings is four minutes at the marked speeds. but the pieces also work extremely well when played more slowly.

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Three Trinkets (DTrTrTTBGtBCtB) MHE 20713 £9.50
1
 
2
 
3
 
These trinkets are like three different frames of mind. The first is quite happy-go-lucky and has a Caribbean feel, the second is calm and reflective, and the third is energetic in a country dance sort of way. Something else I was trying to do in each piece in this eight-minute suite was to use a lot of imitation, so you will hear little thoughts bouncing backwards and forwards throughout the band. And not least in the first trinket, which features an eight-part canon.

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From The Mountains To The Sea (SnoDDTrTrTTBBGtBCtB) MHE 10210 £11.00
This piece pictures the course of a river, from springs in the mountains, passing through upland valleys, dangerous rapids and serene woodlands, finally crossing the plains as a large river, which meets the sea. Ann Marshall's piece is dedicated to Dietrich Schnabel, with thanks for his constant encouragement. This 9-minute piece is of no more than moderate difficulty.

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Three Double Choir Motets (DDTrTrTTBB) MHE 10715 £12.00
Three motets written in the late 1500s for very popular forces of the day – double choir. Andrea Gabrieli was Venetian, and Giovanni Croce, born just down the coast from Venice, was greatly influenced by him. Francisco Guerrero was Spanish. This type of music is very often presented in minim beats, but I have used crotchets to make this beautiful (but not difficult) music as widely accessible as possible. This set is also available for two TrTBGtB choirs, as MHE10715a. Total playing time is about nine minutes.

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Three Double Choir Motets (TrTrTTBBGtBGtB) MHE 10715a £12.00
O Salutaris Hostia
 
Ego Flos Campi
 
In Spiritu Humilitatis
 
This is the lower version of MHE10715.

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Five Short Pieces for Recorder Orchestra (SnoDDTrTrTTBBGtBCtB) MHE 21107 £13.00
1
 
2
 
3
 
4
 
5
 
Ann Marshall has packed lots of terrific tunes into a total playing time of 12 minutes. These fun and rhythmic pieces are easier than normal recorder orchestra fare, so they may appeal to orchestras looking for some lighter music which they can easily get to grips with, as well as finding favour at the 'easy recorder orchestra' events which are quickly becoming popular.

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Four Double Choir Motets by Jacob Gallus (DTrTB/DTrTB) MHE 21109 £13.00
Adoramus te, Jesu Christe
 
Quo mihi crude dolor tantum dominare
 
Duo Seraphim
 
O Magnum Mysterium
 
Jacob Gallus (1550-1591) was also known as Handl. He was Slovenian, but worked for most of his life in Austria. His output was enormous, including much complex multichoir music. Ann Marshall has selected four of his more straightforward double choir pieces, but there is still a lot going on in this music, in terms of harmony and interplay between the choirs.

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Four Watercolours of a Country Church (DTrTB/DTrTB) MHE 30809 £13.00
The Church at Sunrise
 
The Old Bell Tower
 
The Graveyard at Dusk
 
The Church Fête
 
These double choir pieces by Ann Marshall are musical impressions of watercolours of one of those quintessentially English churches which are hidden away in the depths of the countryside. On a practical note, it can be difficult to persuade recorder ensembles to move into double choir formation, and this suite works perfectly well as a normal DDTrTrTTBB ensemble.

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Lancashire Concertino (D solo, DTrTBGtBCtB) MHE 11011 £14.00
Allegro
 
Andantino
 
Vivace
 
Ann Marshall wrote this concertino for Margaret Shearing. Margaret lives some miles north of Rochdale - an area in which Ann lived thirty years ago. It’s an interesting area, with a great deal of folk tradition and a rich industrial heritage, and with the moorlands always just on the doorstep. The moors can be bleak, but have a real grandeur about them. The movements of this concertino reflect, very indirectly, memories of this corner of England – memories of working mills, moorland walks and folk dancing respectively. The solo part is quite difficult, but the orchestral parts of this ten minute piece are quite straightforward, and a wide variety of ensembles will be able to play them.

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Sinfonietta (SnoDDTrTrTTBBGtBCtB) MHE 10508 £15.00
Vivace
 
Moderato
 
Minuet & Trio
 
Rondo
 
The many people who enjoy Ann Marshall's tuneful music will be eager to try this 4-movement Sinfonietta. The piece may currently occupy a category all of its own, as it is a substantial piece for orchestra which is nevertheless easy to play - it is well within the capabilities of a group such as an SRP branch. Both players and audience will warm to its sunny disposition, presented within the familiar framework of a traditional symphony.

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The Hoddesdon Suite (Spinet DTrTBGtBCtB) MHE 11116 £16.50
Allegro
 
Andante
 
Allegro-Moderato-Allegro
 
By 2016 I had been involved in several performances featuring recorder ensembles together with the spinet playing of Rosemary Robinson, including Rosemary’s own marvellous Divertimento. I was inspired by the gorgeous sound of spinet and recorders, and wrote my three-movement Hoddesdon Suite for a performance at the Autumn Recorder Orchestra Weekend held in November 2016 in Hoddesdon, near Hertford. The soloist, naturally enough, was Rosemary, and my suite is dedicated to her. The orchestral parts of this eleven-minute piece are of no more than moderate difficulty.

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